
Thepaphone Radio & Televizir
Welcome to the Thepaphone Radio & Televisir Page
In the Future you will find a plethora of Documentaries,
MusicVideo's and Binge-Worthy AudioBooks here.
These Links will Change Frequently.
Some will Stay Some will Go.
so log in every once in a while, not to miss any.
Fall asleep with them, Play them in your Car on Long Journeys
or just Listen to them Here and Now. All Free. More to come...
Enjoy, come back soon.
Myrddin


Thepaphone Radio
Podcasts
Poetry & Fiction
History
Stuff you Missed in History Class
Matthew Hopkins and The Discovery Witches
Lsd, la série documentaire (France Culture par Perrine Kervran)
Les Sorcières - Céline du Chéné




Een verkenning van de historische oorsprong van de "heksenzalf" en middeleeuwse hallucinogene drugspraktijken op basis van de vroegste bronnen
• Details hoe vroegmoderne theologen psychedelische volksmagie demoniseerden tot "heksenzalven"
• Deelt tientallen psychoactieve formules en recepten die zijn ontleend aan zeldzame manuscripten uit universitaire collecties over de hele wereld, evenals de praktijken en magische bezweringen die nodig zijn voor hun voorbereiding
• Onderzoekt de praktijken van middeleeuwse heksen zoals Matteuccia di Francisco, die hallucinogene drugs gebruikte in haar liefdesdrankjes en kruidenpreparaten
In de middeleeuwen maakten preparaten met hallucinogene kruiden deel uit van de praktijk van veneficium, of gifmagie. Deze verzameling magische kunsten gebruikte vergiften, kruiden en rituelen om te betoveren, te genezen, te profeteren, te infecteren en te vermoorden. In de vorm van psyche-magische zalven kon gifmagie krachtige hallucinaties en surrealistische dromen veroorzaken die een directe ervaring van het goddelijke mogelijk maakten. Op de huid gesmeerd, zouden deze entheogene zalven heksen in staat stellen om te communiceren met verschillende lokale godinnen, door de kerk verbasterd als uitstapjes naar de sabbat - clandestiene ontmoetingen met Satan om magie te leren en deel te nemen aan demonische orgieën.
Thomas Hatsis onderzoekt procesverslagen en de farmacopee van heksen, alchemisten, volksgenezers en ketters van de 15e eeuw en beschrijft hoe een reeks ideeën, van volksdrugs tot kerkelijke angsten over medicijnvrouwen, samensmolten tot het klassieke 'heksen'-stereotype en welke geschiedenis heeft de "heksenzalf" genoemd. Hij deelt tientallen psychoactieve formules en recepten die zijn ontleend aan zeldzame manuscripten uit universiteitscollecties van over de hele wereld, evenals de praktijken en magische bezweringen die nodig zijn voor hun voorbereiding. Hij onderzoekt de verbanden tussen heksenzalven en spreuken voor gedaanteverandering, reizen door geesten en betoverende magie. Hij onderzoekt de praktijken van sommige renaissance-tovenaars, die krachtige medicijnen inhaleerden om met geesten te communiceren, en van Italiaanse volksheksen, zoals Matteuccia di Francisco, die hallucinogene drugs gebruikte in haar liefdesdrankjes en kruidenpreparaten, en Finicella, die drugszalven gebruikte. om zich voor te stellen dat ze in een kat is veranderd.
Hatsis onderzoekt de ongekende geschiedenis van de zalf van de heksen en middeleeuws gebruik van hallucinogenen en onthult hoe de kerk de traditionele drugspraktijken, met name entheogene, transformeerde in satanische ervaringen.

The Love Potion
Evelyn De Morgan
(1903)

Diana, the Huntress
Guillaume Seignac
(1870-1924)

a Witch applying Flying Ointment
(17th Century)
The Witches' Ointment: The Secret History of Psychedelic Magic
An Audiobook read by the Author Thomas Hatsis in 9 Chapters:
Total Binge Time: 7 hours, 37 minutes
The Witches' Ointment: The Secret History of Psychedelic Magic
Edgar Allen Poe: The Raven read by Christopher Walken


The Raven
By Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
This it is and nothing more.”
Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
’Tis the wind and nothing more!”
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven “Nevermore.”
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
Then the bird said “Nevermore.”
Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore’.”
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven “Nevermore.”
“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore.”
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!
AudioBook:
H.P.Lovecraft - the Rats in the Wall


Carmilla
by Sheridan Le Fanu
Audiobook & PDF

Sheridan Le Fanu
1814 - 1873

Carmillia
Carmilla - Sheridan Le Fanu
Audiobook Narated by Tony Walker
Podcasts
Stuff you Missed in History Class
Matthew Hopkins and The Discovery Witches
Vincent Price
as Matthew Hopkins in
"The Witchfinder General" (1968)
Les Sorcières - Céline du Chéné

À propos de la série
Avant de devenir un mythe et des personnages phares de la pop culture, les sorcières s'inscrivaient dans la réalité. Dans cette série, retracez les origines de cette figure féminine d'exception.
Laideron à nez crochu, chaudron, manche à balais, sortilèges, beauté vénéneuse, maléfices et démons au coin du bois... L'imaginaire collectif regorge de motifs stéréotypés lorsque l'on évoque les sorcières.
Au-delà de ce personnage canonique de fiction, il existe, depuis toujours, des hommes qui ont peur des femmes savantes, notamment des femmes âgées, isolées, indépendantes qui vivaient seules et soignaient le voisinage.
Cette série retrace les origines de cette figure féminine d'exception, qui ne cesse de fasciner nos esprits de simples mortels.
Podcast • Les Sorcières
Une série documentaire de Céline du Chéné, réalisée par Laurent Paulré
tirée de LSD, la série documentaire sur France Culture par Perrine Kervran)
Résumé
Qu’on lui prête un nez crochu, un balai, des pouvoirs maléfiques, des potions magiques ou une sexualité débridée, la sorcière est un objet de répulsion et de fascination depuis des siècles.
Résumé
Une créature qui se déploie la nuit, se transforme en animal, se rend au sabbat, se livre à des festins et des orgies, mange des enfants et profane des rites chrétiens : voilà le portrait que l'on peut faire de la sorcière d'après les retranscriptions de procès des 16e et 17e siècles.
Résumé
La littérature s’est très vite emparée du personnage de la sorcière. Du rôle de méchante à celui de personnage fort et féminin dans la pop culture, les sorcières sont légions dans les contes de fée, la littérature jeunesse et en littérature.
Résumé
Depuis quelques années, il existe un véritable engouement autour de la figure de la sorcière. Aujourd’hui la sorcière est féministe, politique et souvent queer. Pourquoi a-t-elle ainsi évolué ?
Thepaphone TeleVisir
The Stories of Creation
Popol Vuh:
The Creation Myth of the Mayaby Patricia Amlin (1989)
Animation from the late 80-ties. This movie is more than 45 years old , so be warned , it's vcr-quality. (1 hour movie)
Popol Vuh:
The Creation Myth of the Maya
by Patricia Amlin (1989)
Total Vieuw Time: 1 hour
Music Videos
Music Video
Ekzisto -The spirits (May 2022)
Total Vieuw Time: 8 Minutes.
Ekzisto
The spirits
Sometimes I need to talk to the spirits
Cause people can make me tired
Then I need some kind of refuge
That is very hard to find
I can listen to inner voices
The power that I feel but nearly never use strangles me
Conditional reflexes enslave me
Je sais que tu connais les chemins dans les bois sauvages les places ou les dieux se cachent
Avec leurs secrets des humains en rage
Love is a treasure it keeps you alive some people suck it nearly you die
In fear and repression you discover the lie
The source is revealed by changing your life
Je tombe
Je sers les dents
La dose fatale
Alors une vague un soulèvement
Et juste à temps je remonte
Je prend de l’air
Alors un fil mince qui me reste pour m’accrocher
Nous sommes du même jardin de la vedette qu’on épuise
Et qui s’offre toujours à nouveau à nouveau
Comme pour payer le pecher
De vivre en amour la force et la vérité
Music : Ekzisto (Philippe LaHerse & KasjaNoova)
Recordings & Editing: Alain Oosterlinck.
Acting and dance: Annaxita.
Music Video
Dark Poem - Euphoria (2015)
Total Vieuw Time: 6 Minutes.
Cast:
Raya Schaduwjaagster
Sophie Drakenvleugels
Sven Visterin
Poepoes Elphaeria
Berth
Isabelle
Hadron
Ellen Itsa
Traumasutra
Directed by Alain Oosterlinck and Schaduwjaagster
Camera and Montage by Alain Oosterlinck
Lights, Animation and FX by Mark Burghgraeve
Music Video
M.Bryo & The Thepaphone - Live @ Wommel (27-06-2015)
Total Vieuw Time: 6 Minutes.
On stage:
Mark Burghgraeve: Vocals & Add. Percussion
Poepoes Elphaeria: Vocals & Add.Synths
Nickanor: Vocals & Moog
Ashton Kâ: Living Statue Live
Video capture & Edit: Alain Oosterlinck
Event by Ernst H. Störzhendr @ De Wommel 27th of june 2015.
Soundmix: Stefan van Elsen & M.H.J.Burghgraeve
Live Voice Capture: Sandy Nys
© 2015 The Thepaphone (M.H.J. Burghgraeve)
Music Video
The Thepaphone - Unholy Ground (2012)
Total Vieuw Time: 5 Minutes.
Cast:
Somnambulist
Raya Schaduwjaagster
Sven Visterin
Nickanor
Music & Lyrics by Nickanor/Somnambulist
Vocals: M.H.J Burghgraeve/Raya Schaduwjaagster/Nickanor
Actors: Sven Visterin, Raya Schaduwjaagster, Nickanor, M.H.J Burghgraeve
Directed by Alain Oosterlinck & M.H.J Burghgraeve
Camera Editby Alain Oosterlinck
Lights, 3D Animation and FX by M.H.J Burghgraeve






















